My practice sits at the intersection of intention and instinct. I often begin with the material, chosen for its relevance to the concept I want to explore — its weight, its history, its ability to hold meaning. Once the making begins, the work leads. Layers build, shift, and obscure; decisions give way to chance; meaning emerges through the process itself. The outcome is rarely what I imagined, and that unpredictability is central to the work.

I’m drawn to the social, the personal, and the remembered — the quiet tensions that sit beneath everyday life. Through layered surfaces and a restrained, moody palette, I aim to create work that holds space for reflection, connection, and emotion. If a viewer feels something — a pull, a memory, a shift — then the work has done what it came here to do.